Casino Cinemas – Chennai’s iconic Casino Theater is expected to reopen on August 8 after the renovation of the 78-year-old theater, which will reopen with Ajith’s ‘Nerkonda Paarvai’.
Chennai’s iconic single screen – Casino Theater – is getting a new lease of life as efforts are underway to improve the interior of the theatre.
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Go to the casino and you will be pleasantly surprised by its interior, because there is nothing that the theater is known for. The wooden seats have been replaced with comfortable cushioned seats. Everything from the projector to the sound system has been upgraded.
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“We do everything we can to give the audience an enjoyable show,” the spokesperson said, adding that renovations began more than a month ago.
SPI Cinemas was the previous owner and managed the operation of the theater until the lease expired earlier this year. The current lease is from an independent agency. Casino Theater is likely to be fully operational with Ajith Kumar in the lead role
, will release on August 8. “Our first target is to open the theater in the second week of August. Since it is an Ajith Kumar film, we are trying to open day and night.
The Casino Theater opened on December 13, 1941, and the first film shown was a British comedy.
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. The theater was owned by the JH Irani family who visited Madras in the early 1930s to set up an ice factory on General Patters Road.
In the first decade, the theater mainly screened English films. But in the mid-1950s, he started acting in Tamil films. However, the show returned to show British cinema in 1971.
In the early 2000s, Casino Theater started screening popular Telugu movies and became a theater for Telugu people living in the city. Le Casino cinema in Albert, France (rue Jeanne d’Harcourt) reopened its doors to the public on 8. October 2016. This iconic urban space has been renovated by Atelier Architecture Lalo, The Parisian studio focuses on the design and transformation of existing spaces.
The Codin company was chosen to take a different approach to this renovation by creating two giant radios that now hang on the facade of the cinema. The overhead curtain, using a 6 meter steel Paxton pattern grid, was designed to reveal the curtain to add visual appeal to this downtown building. Mies’ straight line and static form woven into the fabric below suggest the movement of the upper layer. Both are made of aluminum with a gold finish.
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The €2.5 million project consists of two theaters, one for film and theater productions and the other as a meeting place for public events, and has the opportunity to climb and strengthen downtown recreation. as a symbol of freedom of expression and values of the French Republic.
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The use of plaster in construction is an old construction technique. Research shows that a number of … MoreThe Empire was originally created as a variety theater in 1884 and remodeled for movies in the 1920s. It is one of the few cinemas in and around Leicester Square and is regularly used for film premieres and premieres.
The Empire Theater was opened on 17 April 1884 under the ownership of Daniel Nichols in Leicester Square as a West d estrada theater and a ballet vue with a capacity of 2,000 .
The first play was Chilpéric, with music by Herve, in three acts and words, adapted by H. Hersee and H. B. Farnie, and described as a Grand Musical Spectacular. The corps de ballet for the performance consists of 50 people.
Edward Solomon and Sidney Grundy moved here the premiere of their comic film, Pocahontas, or The Great White Pearl, another Solomonic drama, Polly, or The Beast of Law, and his Billie Taylor experience revived here in 1884. Kate Vaughan performed internationally. 80 days in the theater in 1886. At the theater, Herve premiered Diana (1888) and Cleopatra (1889).
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In 1887, the theater was reopened as the Empire Variety Theater as a popular musical venue. From 1887 to 1915, the designer J. Wilhelm created (and sometimes created) both scenery and costumes for many ballets that set the stage for stage design in theater and took many forms.
George Edwardes controlled the theater in the 20th century. Under the leadership of the dancer Adeline Gée and the composer-director Leopold Wzel, the theater company did a lot to revive the decline of the theater. in England in the 19th century.
An addition was added in 1893 with architect Frank Verity providing access to the middle level from Leicester Street through a new room.
In March 1896, the National Theater hosted the first performance of a film by Auguste and Louis Lumière intended for an English audience.
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The film project took 18 months. In the next few years, the theater began to present a program of performances with short films.
As a motion was passed in 1920, the freehold empire was acquired in 1925 by Metro-Goldwyn-Mayer in partnership with Solly Joel for over $1 million in development.
Many theaters were demolished in 1927, rebuilt on a larger site as the Empire Cinema, and the court now stretches east to Leicester Place; Architect F. W. Boettcher and director of Frederick G. M. Frank Matcham and Company Thomas W. Lamb as local architects.
And Anglo-Scottish Construction Company Ltd is the contractor. Part of the exterior, designed by Frank Verity, is visible on the west side.
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He performed on 8 November 1928 with Trelawny at Wells, based on a play by Arthur Wing Pinero.
Based on the American-style cinema palace in the style of North American cinema designed by Thomas Lamb for Loew’s / MGM, it can seat approximately 3,300 and is one of the first air-conditioned cinemas in in England. .
It also has a 4/21 Wurlitzer organ and a big time that often features ballet and dance performances.
– Live shows similar to those presented in Radio City Music Hall. For this, the American producer Nat Carlson, who was responsible for the show at that place, was hired and his slogan “The Nation’s Show Venue” was adopted.
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In 1952, the empire was presented in Charlie Chaplin’s Limelight, and its 1927 incarnation can also be seen in the documentary of special events.
In 1959, the Empire installed new 70mm projectors and a new screen in front of the proscium to show B-Hur, which ran for 76 weeks.
After B-Hur’s long run, the Empire was sold to Mecca in 1961 and closed for interior renovations to build a new movie theater for MGM and a dance hall for Mecca. The building was extensively demolished, including the removal of existing walls and floors. Almost all the ornate plasterwork of the 1920s was removed; two smaller ones remain, hidden behind false walls and ceilings
George Coles was the architect and G. E. Wallis and Sons was the main contractor for the new film.
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The theater reopened on December 19, 1962 with Jumbo. A new 1,330-seat auditorium was built on the ring, on the stone before removing the top of the old arena below, with a circular area behind the seating area. New ball and a beautiful place raked on the canvas. ;
The theater has no theater and includes an old stage building. Its side walls and ceiling are finished with acoustic plaster tiles in mink and gold, it is equipped with color-changing cold cathode lighting, and a red-upholstered reclining chair.
The vestibule is divided on the left by the cinema trance, a staircase up to the grand foyer, a new grand foyer with red ceiling, changing circle, with white and black Italian marble walls. domes illuminated with white hidden lighting.
In the original location, the Mecca Ballroom was built on the right half of the old cinema vestibule from Leicester Square and with the stairs leading to its subbasement level. For many years it was a dance hall, discotheque and nightclub, then managed by First Leisure Corporation plc and in 1992 it was reimagined as Equinox Discotheque. After a major renovation and renovation in 2007, it reopened as the casino of the Ottoman Empire.
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The 1928 facade has been preserved, but is now covered by a complete building broadcasting the films shown and the Meccan dance; By 1989, it was re-emerged with a new body featuring lines of ambient neon lights.